P L U N D Y H A Y

Hay window pane...do you remember?
Bringin' back sweet memories...
(Plundy, 11/09/08, Right Window)

The Plastic Exploding Inevitable

The Plastic Exploding Inevitable
an installation by Christine Wertheim

Right Window at ATA
992 Valencia at 21st Street, San Francisco

Opening: September 7, 5 p.m. to 8 p.m.
At 6:00 Christine Wertheim will talk and answer questions about the project

Installation continues through October 3

Coral reefs the world over are dying faster than rain forests. In homage to these vanishing wonders, Margaret and Christine Wertheim of the Institute For Figuring instigated a project to crochet a woolen reef, an effort that now engages women around the globe. This collective testimony also celebrates the strange hyperbolic geometry of the oceanic realm. As it has grown the reef has spawned, dividing and growing into multiple sub-reefs, each with its own unique ecology of corals, anemones, kelps and other sea life.


In September Right Window will be showing the Plastic Exploding Inevitable (PEI), a spawn of the Toxic Reef, aka Bikini Atoll, made from plastic bags and other refused and recycled materials. The most psychedelic of the Institute for Figuring reefs, the Plastic Exploding Inevitable features irradiant pink "sand," miniature white plastic spires, a grove of wine-glass trees, and a gorgeous reef panorama painted on a take-out box by Alicia Escott. In the decades since Warhol created his Exploding Plastic Inevitable, the multimedia component of the Silver Factory, the words he strung together have taken on a more sinister edge, and Wertheim’s installation helps us parse this new reality. In the North Pacific, for example, there is a gyre of floating plastic debris roughly the size of Texas.

Garbage Christine and her sister Margaret collected for the project.

Contributors to the Plastic Exploding Inevitable include:
Kathleen Greco, Sarah Simons, Evelyn Hardin, Alicia Escott, Margaret Wertheim and Christine Wertheim.


The Right Window at ATA is curated by Dodie Bellamy for the month of September, 2008.

When she is not crocheting reef items, Christine has a full-time job in the Department of Critical Studies at the California Institute of the Arts, where she teaches experimental writing and feminism. She is also an experimental poet and writer whose work deals with the intersection of language and logic. Christine's first book of poetry, +'Ime-S-pace, was published in 2007 by Les Figues Press, LA.

Christine at home with crocheted hyperbolic planes lining her mantel.

Daniel Hipolito - Falling

Daniel Hipolito
FALLING
Curated by Karla Milosevich
August 2008

1 YEAR OF RIGHT WINDOW! Friday Aug 1 2008 Party

A celebration 365 Days in the Making!
One year of the Right Window!

Friday, Aug 1 ... 8-11 pm
BOOZE. ART. MUSIC. FRIENDS.

Live musical performances by SMOKEY EMERY and FUZZPOD.

Readings by KEVIN KILLIAN and DODIE BELLAMY.

'A few people doing things'
Mundane Digital Projections by KATIE BUSH.

Cosmogram: Everything is Possible

Cosmogram: Everything is Possible

A window installation by Christine Canepa

July 2nd - July 28

Curated by Paula Pereira

THE GYPSIES TENT

As described by the artist, "Mapping and Remapping our sublime quotidian: The Gypsies Tent" is intended to tackle the theme of consumption. " I do believe that the reflexivity stops one from being fully present in both understanding and appreciation of his/her surroundings. I also believe that at the core of our reflexive system is a matrix of mapping and remapping. Thus, in this body of work, I will be particularly interested in analyzing the system of architectural connections between the physical elements and horror vaccui dominant aesthetic. I began referencing the outside world hodgepodge through informational overlapping, until the point of self-annihilation and self-denial of the rendered elements when they start to loose their hierarchy. By using different cultural iconography, and by imposing and superimposing recognizable with more abstracted similes, I attempt to create a matrix of polyphonic images in my work. In doing so, I am more interested in offering the viewer the basis for personal stories, rather than didactical answers." 

CURATED BY PAULA PEREIRA