Saturday, June 15, 2013

Katie Bush - Rapture of the First Fruits


Rapture of the First Fruits
(A Panorainbow Lady Output Dedicated to all Aorally-upright Babies of a New Tomorrow)
Large Format Art Exhibition 

by Katie Bush

June 1 - July 1, 2014

America’s Favorite Lady (Katie Bush) introduces an illuminated panorainbow lady output dedicated to the morally-upright babies of a new tomorrow. With cyclopean focus, the artist has created a sexually selfish night-based environ sure to push these United States further and further down its invisible depravity ladder. Behold as pant-less wonderbeings projectile vomit beauty rays onto the rainbow-resistant loveless, wrestling their way through plumes of genitally delicate love squadrons trampling over dehydrated sunburned lesbian babies. Much to the merriment of many a learn’ed contemporary art lover, this massive aesthetic scourge is made all the more horrible by Miss Bush’s psychedelic use of pixel configurations bursting with defective plutonium-tipped integrity missiles firmly cocked toward any and all promiscuous looking skin-colored lady parts. Is there any better way to celebrate a homosexual and/or heterosexual summer?

Heralded as a modern day digital sweetheart, Katie Bush is a Prop-8-hating visual terrorist (with a heart of gold). She received an MFA in New Genres from the San Francisco Art Institute and has been exhibiting her digital & analog art works internationally since 1992. Her film ‘Seeking to Destroy Families and Faith’ was featured at the San Francisco International Animation Festival and her illustrations have been published in Dazed & Confused, The British Medical Journal, BoingBoing, Art XX (Aorta), Rhizome. Her 2004 website Destroyevil.com continues to enchant morally-upright citizens in over 194 countries and America. 

Exhibition on view now through July 1, 2013
Right Window, 992 Valencia Street, San Francisco 

Sunday, May 5, 2013

Sydney Cohen - Some Other Need


May 4th-31stReception Sunday, May 19th, 4-7pm

Saturday, April 6, 2013

Ajit Chauhan - Comprenez so far? So far comprends.

April 2013



When Your Bright is Not Enough
screenprinted t-shirts and undies for sale! $10-15
Email us to get it: rightwindow@gmail.com

Saturday, March 2, 2013

Corrugated Love Poem 16: Being Seen

By Dee Dee Suzanne Kramer

In the window
March 2 - March 31st, 2013

On Sunday, March 31, there will be reading sessions every quarter hour inside from 4:00-6:00 p.m.

More Corrugated Love Poems and other work at collagepoems.wordpress.com.

Thank you to Jocelyn Saidenberg, Mari Collings, Tanya Hollis, Glenna Allee, and Yedda Morrison for curating, installing, setting, and lighting. Thank you to my writing group for helping me look. Y muchas gracias รก Alfonso Felix por las cajas tan lindas, lleno de frutas y de significados.

Friday, February 1, 2013

Takming Chuang - Body Blocked

Takming Chuang
Body Blocked
February 3 – February 26, 2013

Please join us for an opening reception on Sunday, February 3rd, 7-10pm.

View Body Blocked from the window or visit us now through February 26th, Wednesday - Friday, 12-8pm.

Takming Chuang was born and raised in New York City.  He has exhibited in New York, London and San Francisco at Southern Exposure. His work is included in New York’s White Columns Artist Registry and was published by the Hammer Museum, Los Angeles. Body Blocked is curated by Kevin Killian.

www.takmingchuang.com

Sunday, December 2, 2012

Strain Andromeda The: The Paintings


A LECTURE ON ANNE MCGUIRE’S STRAIN ANDROMEDA, THE

In conjunction with Right Window Gallery’s current exhibition of new paintings from the Square Spiral Series by Anne McGuire, please join in celebrating the 20 year anniversary of her Strain Andromeda, The with a lecture by critic and curator Ed Halter.

Ed Halter on Anne McGuire’s Strain Andromeda, The
Saturday, December 15 at 5:00pm


Right Window Gallery
992 Valencia Street
San Francisco, CA 94110

The exhibition is on view, by appointment, throughout December.

“Anne McGuire’s Strain Andromeda, The is undoubtedly one of the greatest works of experimental cinema made in the last quarter century. Completed at the tail-end of the analog era, Strain was painstakingly edited on a linear tape-to-tape system by McGuire, using a commercial-release VHS release as its source. The result consists of each shot of Wise’s 1971 feature The Andromeda Strain presented in backwards order, opening with the film’s end titles and continuing forward towards the beginning. But this reversed retelling is no mere conceptual conceit: Over a span of two hours, the work’s involuted rhythms relentlessly communicate the painstaking labor that went into its creation. It continuously jams the viewer’s normal understanding of causality, releasing each moment to float alone in a vertiginous chasm of unhinged time. In this schizophrenic reverie, the glowing, pulsing surface details of Wise’s original gain a new intensity. By Strain’s end, the effect is virtually psychoactive; expect its spectators to stumble out of the theater, their inner clocks momentarily discombobulated.” - Ed Halter

“The square spirals come from a state of mind, not unlike the state of mind contained in the backwards edit, its creation, and effect —each piece of color is an edit. But each square spiral is a movie you can see all at once. It's all there - defying time.” Anne McGuire on the Square Spiral Series

About Anne McGuire
Anne was born in the Valley of the Jolly Green Giant, and has lived in San Francisco since the 90s. In Fall 2004, she relocated to Busan, South Korea, where she taught video art at KyungSung University for eighteen months. Prior to this she taught at the San Francisco Art Institute, University of California Santa Cruz, and Stanford University. Anne started making videos while a student. Her single channel works are much in the tradition of personal/poetical performance to camera, playing off of the conventions of television. She has explored the personal through formal narrative, particularly in Strain Andromeda, The, her first foray into disaster deconstruction. In 2006 Anne completed Adventure Poseidon, The (The Unsinking of My Ship), which celebrates the 20-year anniversary of her very own real-life shipwreck experience. She also writes poems and sings them as songs, and has performed as Freddy McGuire with San Francisco-based electronic musician Wobbly, live and on radio.

About Ed Halter
Ed Halter is a critic and curator living in New York City. He is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, New York, and his writing has appeared in Artforum, The Believer, Bookforum, Cinema Scope, frieze, Little Joe, Mousse, Rhizome, Triple Canopy, the Village Voice and elsewhere. From 1995 to 2005, he programmed and oversaw the New York Underground Film Festival, and he has curated screenings and exhibitions at Artists Space, BAM, the Flaherty Film Seminar, the ICA, London, the Museum of Modern Art, the New Museum, PARTICIPANT INC., and Tate Modern, as well as the cinema for Greater New York 2010 at MoMA PS1 and the film and video program for the 2012 Whitney Biennial. He teaches in the Film and Electronic Arts department at Bard College, and is currently writing a critical history of contemporary experimental cinema in America.